Top 5 French films of the 21st century | Kathmandu Tribune


“Covering the vast expanses of history, geography and genres, French cinema is one of the most astonishing poles for cinephiles. Having watched a lot of films in English, cinema in French is not something I have totally immersed myself in. However, I have my own interest in French cinema.

The Untouchables (2011)

Directors: Olivier Nakache and Eric Toledano

One of the best wellness films ever made, The Intouchables is a great example of getting the most out of the little one. The relationship of the wealthy Parisian aristocrat Philippe, quadriplegic with his guardian, is a trip not to be missed.

The movie celebrates the spirit of never saying never in a very cheerful, virgin way that forces you to question the way you’ve been living your life. The film is nothing less than a serene and fun journey to achieve salvation during the period in which you have invested your time in this masterpiece.

A Prophet (2010)
Jacques Audiard

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A unique documentary take on a clandestine yet very stylish gang leader, throughout the film that hits audiences hard, A Prophet is a modern gangster film about drug syndicates in France’s prisons.

Appealing to audiences, A Prophet is beyond the detective genre, just as Anurag Kashyap did with Gangs of Wasseypur. Revolving around a religious quarrel, a tension well constructed in a very dramatic but well-founded way. The main character manipulates racism with his abilities which are not displayed rather conveniently conveyed by Jacques Audiard.

The Beat That My Heart Skipped (2005)

Director: Jacques Audiard

Romain Duris has a great on-screen presence with undertones of Taxi Driver’s Travis Bickle. Duris embodies a character from “Fingers”, introduced decades ago in the cinematographic universe by Harvey Keitel. The film is the story of a real estate thug and aspiring concert pianist and his struggle between the contrasting nature of the male animal, “Beauty and the Beast”.

Part neo-noir, part psychological thriller, part romantic film, “The Beat That My Heart Skipped” is all about escaping your own prisons. The film is a perfect mix of garish colors and black shadows. The film gives you an awareness of the evil within and the slide down the path of redemption that makes us human.

Amelia (2001)
Director: Jean-Pierre Jeunet

Easily but extremely adorable, delicate yet delicious, Amélie is an exceptional little French trifle. Amélie Poulain played by Audrey Tautou manages innocence with a child’s heart and an angelic face, required by the character and sweeps our feet away while Tautao totally immerses himself in American consciousness as a waitress who sends her stealthy crush pictures and puzzles, masking his individuality in order to make their first meeting the most memorable moment of his life.

Amélie’s fantastic adventures and the cinematic magical realism presented by Jean-Pierre retain love in a way that is both magical and realistic.

Raw (2017)

Director: Julia ducournou

Image source: “Yellowstone”: Luke Grimes and Kelsey Asbille on Taylor Sheridan’s New Series

You might have come across a lot of brilliant and heartfelt coming-of-age movies, but this movie is nothing like that. Raw is a film that explores the life of a girl who has just been admitted to a veterinary college who comes out of her shell and learns who she really is only when she is on the verge of adulthood. Let’s not explore the spoilers, Raw is the toughest feeling and it does get nasty indeed.

Female sexuality, family heirlooms, individual drives, the politics of popularity are the key points the film focuses on, and Raw is as bloody as it gets. The effects the movie has on you are huge and when you step out of the movie you realize that Raw is still in your head figuring out the events shown in the movie. With an epitome of intellectual euphoria, Raw is not something that you are easily fed.

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